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4.7 Rating
Speedlight Tutorial: Artificial Sunlight Technique

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Speedlight Tutorial: Day to Night Technique

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Capturing or Freezing Motion in Photos

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You’re the Guest: How to Capture Unique Photos at a Wedding

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Let the Sun Shine In!

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4.8 Rating
Professional Video Camera Equipment for Your HDSLR

Using third-party rigs, rail systems and other accessories

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4.5 Rating
Joe McNally: Shooting a Portrait with Speedlights

Joe McNally sets up a portrait on location using Speedlights

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4.1 Rating
Getting Started: How to Hold Your D-SLR Camera

Getting sharper, more in-focus pictures can be as simple as learning how…

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Photographing Dogs: Capturing Action

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Summer Lyn: Photographing Babies, Toddlers & Kids

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Jim Richardson: Why Fast Lenses Make All the Difference

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High Speed Sync: A Flash Technique To Add a Pro Touch to Your Photographs

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Flash Photography on Location

Ami Vitale on using a single Speedlight for illumination

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Photographing the US National Parks

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Live Image Control

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Tips for Photographing Birds

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4.6 Rating
What is a Lens MTF Chart & How Do I Read It?

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COOLPIX Cameras and Cool Lighting with Speedlights

Lucas Gilman shows you how to use Speedlights with COOLPIX cameras

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Reflex Action: A Surf Photographer's Top Tips

Surf shooter Jay Watson offers tips for getting great surfing action photos

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Six Steps to Lighting Magic with Joe McNally

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Popular Nikon Lenses for Shooting Video

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Photographing the Night Sky

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Quick Tips for Taking Better Portraits

Suggested Lens choices, exposure settings and focus modes

Anyone can take a well exposed, flattering portrait by following a few simple tips. By using a lens that will flatter, not distort your subject; lighting and exposing the scene well; and correctly focusing on the subject, you're guaranteed a great shot. To help you, we've put together suggested starting points for you to try. Read on...


Suggested Settings:

Lens Choice: For a portrait, you want to use a standard to short-telephoto lens, between 50mm to 200mm. NIKKOR prime lenses such as the 60mm, 85mm, 105mm or 200mm lenses; zooms: 70-200mm, or the telephoto end of the 24-70mm, 24-120mm lenses are ideal choices. If the lens you choose is too wide, such as 17mm, it will distort your subject’s face in an unflattering way. You also don’t want too long a telephoto, like a 300mm lens, because it will compress your subject’s face and not look natural. Also, the longer the lens, the further back you will likely have to stand when taking the photograph, which isn’t conducive to directing your portrait subject during a shoot.

White Balance: Depending upon the ambient lighting of your scene or location, you’ll want to set the white balance to match the available light. If you’re shooting indoors, using regular household lighting, set the WB to Incandescent (it is the lightbulb symbol). If you are going to rely on the flash from the Speedlight exclusively, then set the WB to Flash (it’s the lightening bolt symbol). If you are shooting in mixed light, you will want to create a custom preset.

Metering: It is suggested that beginning photographers use Matrix Metering.

If instead, you use Center Weighted Metering, you’ll have to place your subject in the center of the frame, press the shutter button half-way so the camera can focus and meter on the subject, (remember to focus on your subject’s eyes), and then press the AE Lock (if your D-SLR has one, check your manual), and recompose your photograph, fully depressing the shutter button when you are happy with the composition. Instead of using the AE Lock, you can keep the shutter button depressed half-way while you recompose the photograph, fully depressing the button when you are ready to take the photograph.

Focusing: Set the camera to Single Area AF, to ensure that the area you focus on is sharp. For a portrait, the eyes should be the sharpest part of the image. If your final image will have the subject off-center in the frame, you will have to make sure the focus point is set correctly. You can do this in two different ways.

Set a focus point that is at the furthest end of the grouping of focus points. This way, when you compose your photograph, the focus point will correctly fall on your subject, ensuring accurate focus.

You can also use the AF Lock button (if your D-SLR has one, check your manual) to lock the AF point on the area of the image you want in focus. To use this method, make sure you are in AF-S mode.

Turn on the audible beep for confirmation that your subject is in focus.

Especially when shooting in low light, turn on the Focus Assist Lamp.

If manually focusing use Rangefinder and check results at 100% playback zoom.

Suggested Exposure Starting Points: The exposure for any photograph is made up of the combination of shutter speed, aperture and ISO sensitivity. Your exposure will depend upon the lighting in your scene. A good starting place is to set the ISO to 400, aperture to f/5.6. Because you’ll likely want to control the sharpness of the background, set the camera’s mode dial to Aperture Priority. In this mode, you set the Aperture, and the camera selects the corresponding shutter speed. You’ll want a minimum of 1/100th of a second shutter speed. If there is not enough light for a fast shutter speed, you will have to increase the ISO. Try setting it to ISO 800 and meter the scene again.

While many folks will use a very wide open aperture to completely blur the background, the zone of focus may be too narrow to ensure your subject will be in focus, so it is better to be cautious and use an f/stop that will offer some depth-of-field.

Using a Speedlight. If there is not enough light in your scene, you may want to use a Nikon Speedlight for additional lighting. There are a number of ways you can use a Speedlight to add illumination onto your subject. Try to set up your lighting and test it before your subjects are ready for their photographs, this will help you learn your equipment.

Remember to watch for harsh shadows behind your subject(s). If you’re in a room with a low enough ceiling (under 10’) and it is white, you can bounce the light off of the ceiling. Remember that bounced light will pick up the color of the surface it is bounced against, so you want a white surface to bounce light off of.

If you have access to multiple Speedlights, use them. Also, turn on all of the lighting in the room, indoors, to increase the amount of light available.

You can also use the Diffuser that came with your Speedlight to soften the quality of light hitting your portrait subject.

When using a Speedlight, remember that the sync speed of the flash unit to the camera is the fastest you can set your shutter speed to. For example, if the sync speed is 1/250th of a second, you won’t be able to use a faster shutter speed unless your camera offers the FP high-speed sync setting, and you select it.

If your subject is backlit, use fill flash, with the Dome attachment on the Speedlight, and do not bounce.

Recap:

Lenses

  • Primes: 60mm, 85mm, 105mm or 200mm

  • Zooms: 24-70mm, 24-120mm, 70-200mm

 

White Balance:

  • Match the light of your scene

  • If your main light source is your Speedlight, set the WB to Flash

 

Metering Mode:

  • Matrix Metering

 

Focus:

  • AF-S mode for focus lock

  • Single Area AF

  • Center AF Bracket for very best result

  • Don’t shoot wide open unless you want a very shallow depth-of-field. If you are shooting wide open, check the focus of the image after you’ve captured it at 100% playback zoom.

  • Turn on the audible beep and focus assist lamp.

  • If manually focusing use Rangefinder and check results at 100% playback zoom.

 

Exposure:

  • Minimum 1/100th of a second shutter speed

  • If the lighting in the scene is not enough for a shutter speed/aperture combination that you want to use (i.e. too slow for you to handhold), increase the ISO

 

Using Speedlights:

  • Watch for shadows. You can soften shadows by using the diffuser that came with your Speedlight or bouncing the light.

  • Bounce off of low, white ceilings (under 10’).

  • Remember the sync speed of the camera, and do not exceed that shutter speed unless you are using the FP high speed sync setting

  • If your subject is backlit, use fill-flash, with the dome attachment and don’t bounce.

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