Learn & Explore Tip of the Day

June 19, 2013

Take plenty of pictures. With the split-second nature of sports, it is extremely hard to capture every moment perfectly. Shooting a lot will increase the odds of getting the one great photo you'll want to share. Put the camera on continuous shooting to maximize your efforts.

June 18, 2013

Keep an eye on your LCD after you take photos of people, and when you find a particularly flattering shot, show it to them. Nothing makes a person relax like knowing that the photos you’re taking make them look good.

June 17, 2013

Sitting around a campfire and roasting marshmallows? You can get some great shots in the light of a fire, but remember that if the fire’s in the picture, the camera’s meter can be fooled by the brightness of the flames. Compose and meter your exposure on your subjects’ faces to expose them properly.

June 16, 2013

Take plenty of photos during your Father’s Day celebrations. Remember to print multiple copies, so everyone can have their own photographs of dad to cherish.

June 15, 2013

Planning to take a vacation by the beach? Look for a compact digital camera that’s waterproof, such as the Nikon COOLPIX AW110, S31 or get an underwater housing for your camera. You’ll be able to take your camera under water and capture what goes on below the surface.

June 14, 2013

Use panning for a different action shot. Slow down your shutter speed and follow the subject (panning) with your camera as you take the picture. This will blur/streak the background and keeps your subject in focus. Try to shoot about 1/30 of a second as you follow the action.

June 13, 2013

When shooting groups of five or more people, make sure you stagger them. Put tall folks in the back and the shortest ones in front. It may seem simple, but blocking out just one face can ruin a group portrait. Always tell them, “If you don’t have a clear view of me, the camera can’t see you.”

June 12, 2013

Want a unique video of sports action? Use the slow-motion mode that many Nikon digital cameras offer. By shooting the action faster than normal and played back at normal speed, your subject’s movements are slowed down and look more deliberate.

June 11, 2013

When shooting bodies of water, use a polarizer filter to reduce glare. It will increase the contrast of the overall image, making colors seem deeper and more vivid.

June 10, 2013

When photographing animals of any kind—pets, birds in flight, animals at the zoo—try to zoom in as close as you can or use a longer lens to isolate the animal from its background. By getting a close-up view you have a greater chance of capturing a wonderful expression on the face of the animal, which will give you a more interesting photograph.

June 9, 2013

Spend a day taking photos using the effects modes that your camera offers. Check your camera manual to see where to find the effects available on your specific camera.

June 8, 2013

Baseball games provide a lot of angles. Get low, near first base. From there you can see most of the infield action, plus home plate. Try shooting through the backstop with a long lens as the pitcher warms up. But don’t get too close to the action. You don't want to get hurt.

June 7, 2013

Check the weather before an outdoor event. Protecting your camera and lens is critical. Consider buying a rain hood for your camera. It will protect your camera and allow you to keep shooting. If you don’t have one, use a gallon-size plastic bag or trash bag with rubber bands to protect your gear.

June 6, 2013

When composing a sports picture, leave some room for the action. For instance, if a runner is going left to right, leave more room on the right side of the frame for him/her to run into. This will make a big difference on the impact of the image.

June 5, 2013

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

June 4, 2013

Posing a bride and groom for photos is sometimes difficult. Concentrate on close shots of just the two of them, with clean backgrounds. Then create a fun group shot having them in the center, with others gathered around them. Just make sure no one gets in front of them. After all, it’s their day.

June 3, 2013

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

June 2, 2013

Try shooting panoramas if you’re at a sport stadium, beach or park, for more interesting images. Some Nikon Digital Cameras have an Easy Panorama mode or a Panorama Assist mode, which make these photos easy to capture.

June 1, 2013

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

May 31, 2013

At a gathering of friends or family take an extra camera and let everyone know they can take pictures with it. Leave it out and let anyone grab it and shoot away. Then use one of the photo sharing sites to make sure everyone can get a copy of the photos they took.

May 30, 2013

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

May 29, 2013

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

May 28, 2013

Patience is a virtue. But it’s a necessity when taking pictures of children and pets. Slow down, watch and keep shooting. A healthy dose of patience can really pay off in much better pictures.

May 27, 2013

Bring your camera when you go to your local Memorial Day Parade. You can make great pictures of your children as they get ready, as well as while they’re marching on the parade route.

May 26, 2013

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

May 25, 2013

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

May 24, 2013

Ask people to write down their e-mail address on a piece of paper and take a photo of that paper along with their photos. That way you’ll always have their e-mail address on file. Send them a copy of the photo as a thank-you for their time.

May 23, 2013

May 22, 2013

Planning to take a vacation by the beach? Look for a compact digital camera that’s waterproof, such as the Nikon COOLPIX AW100, AW110, S30, S31 or get an underwater housing for your camera. You’ll be able to take your camera under water and capture what goes on below the surface.

May 21, 2013

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

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With its high level of precision and performance, the F6 provides an extraordinarily pure, gratifying photographic film experience.

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Body Only

$2,810.00

Product Number: 1799

Authorized Dealers

Key Features

Metering System: Nikon's Advanced Exposure Metering System includes 3D Color Matrix metering with improved algorithm, a flexible Center Weighted metering and Spot metering corresponding to any of the 11 selected focus areas.

Usable Lenses: All AF-D, AF-G, AF-I, AF-S and AF VR Nikkor lenses provide full AF and metering operation. AI-P lenses provide manual focus w/electronic rangefinder and full metering operation. AI lenses provide manual focus w/electronic rangefinder, aperture priority and manual exposure mode, C/W and Spot Metering operation.

Film Advance: Four film advance modes, including Single (S), Continuous Low-Speed (CL) for up to approx. 3 fps, Continuous High-Speed (CH) for up to 5.5 fps (or 8 fps with optional Multi Power Battery Pack MB-40) and Continuous Silent (Cs) for nearly silent operation at approximately 1 fps.

Autofocus: Autofocus system inlcudes Multi-CAM 2000 Autofocus (AF) Sensor Module, with advanced high-speed, high-precision 11-area AF system with 9 cross-type AF sensors. Also includes Four AF Area Modes such as Single Area AF, Dynamic AF with Focus Tracking and Lock-On(TM), Closest Subject Priority Dynamic AF and Group Dynamic AF.

Shooting Modes: Program, Flexible Program, Shutter Priority, Aperture Priority, Manual. Also allows for exposure compensation, Auto Exposure/Flash Bracketing.

Flash: Nikon's Creative Lighting System (with SB-800/600 Speedlights) includes i-TTL Balanced Fill-Flash, Wireless Advance Lighting capability and AUTO FP High-Speed Sync capability up to 1/8000 second.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Specifications

Technical Specification

Type of Camera: Integral motor autofocus 35mm SLR (Single Lens Reflex) camera with electronically controlled focal-plane shutter.
Exposure Modes: Programmed Auto, Flexible Program, Shutter priority, Aperture Priority and Manual
Picture Format: 24mm x 36mm (standard 35mm film format)
Lens Mount: Nikon F Mount (With AF coupling, AF contacts)
Usable Lenses: All AF-D, AF-G, AF-I, AF-S and AF VR Nikkor lenses provide full AF and metering operation. AI-P lenses provide manual focus w/electronic rangefinder and full metering operation. AI lenses provide manual focus w/electronic rangefinder, aperture priority and manual exposure mode, C/W and Spot Metering operation.
Viewfinder: Fixed eyelevel pentaprism, built-in diopter adjustment (-2 to +1m-1)
Eyepoint: 18mm (at -10m-1)
Focusing Screen: B Type BriteView clear screen Matte II, interchangeable with six other optional focusing screens
Autofocus: TTL phase detection, Nikon Multi-CAM 2000 autofocus module
AF Detection Range: Approx. EV -1 to EV +19 (at ISO 100)
AF Area Mode: Single Area AF, Dynamic AF, Group Dynamic AF or Dynamic AF with Closest Subject Priority
Metering System: Three built-in exposure meters; 1005 Pixel RGB 3D Color Matrix II, Flexible Center Weighted and Eleven Spot meters
Metering Range: (at ISO 100 with f/1.4 lens) EV 0 to EV 20 in 3D Color Matrix II and Center-Weighted, EV 2 to EV 20 in Spot
Exposure Compensation: With exposure compensation button; + 5 EV range, in 1/3, 1/2 or 1 EV steps
Auto Exposure Bracketing: Built-in; Number of shots; 2-7 compensation steps 1/3, 1/2, 2/3 or 1 EV steps
Auto Exposure Lock: By pressing AE-L/AF-L Button
Film Speed Setting: ISO 25 to 5000 for DX-coded film; ISO 6 to 6400 can be manually set
Shutter: Electromagnetically controlled vertical-travel focal-plane shutter with built-in shutter monitor
Flash Synchronization: In Programmed Auto or Aperture-Priority Auto, shutter operates from 1/250 to 1/60 sec. in normal sync. 1/250 to 30 sec. In slow sync; in Shutter-Priority Auto or Manual exposure mode, shutter operates at speed set, or at 1/250 if speed is set between 1/250 and 1/8000 sec. Auto FP High Speed Sync with Custom Setting in all modes to 1/8000sec.
Flash Control: TTL flash control by combined Five Segment TTL Multi-Sensor with single component IC and 1,005 Pixel RGB sensor; i-TTL Balanced Fill-Flash with SB-600/800; film speed range in TTL auto flash: ISO 25-1000
Ready Light: Speedlight attached, lights up in red when Nikon dedicated Speedlight is ready to fire, or blinks to warn of insufficient light for correct exposure
Accessory Shoe: ISO518 hot shoe contact, digital data communication (sync contact, ready light contact, TTL Auto flash contact, monitor contact, GND) safety lock provided
Self Timer: Electronically controlled; 10 second duration; blinking LED indicates self-timer operation; cancelable
Film Loading: Film automatically advances to first frame when camera back is closed
Film Advance: Automatic advance with built-in motor, three modes available (S: for one frame advance, CL: Continuous low speed shooting, CH: Continuous high-speed shooting, CS: Continuous silent low-speed shooting)
Film Rewind: Choice of automatic or manual; automatically rewinds at the end of the roll or when two film rewind buttons are pressed, rewind speed with 36 exp, roll of film Approx. 7 seconds (12 seconds in CS Mode)
Multiple Exposure: Activated via shooting menu
Power Source: Battery Holder MS-41 provided (two 3V Lithium batteries) Optional Multi Power Battery Pack MB-40 and AA type battery holder MS-40 available (for eight alkaline manganese, lithium or NiMH batteries or one rechargeable Li-ion Battery EN-EL4); built-in battery back up
Weight (without batteries): Approx. 34.4 oz
Dimensions (WxHxD): 6.2 x 4.7 x 3.1 inches

Supplied Accessories

Type-B focusing screen
MS-41 Battery Holder (requires two DL123A 3V Lithium Batteries not provided)
BF-1a Body Cap
Accessory Flash Shoe Cover

*Supplied accessories may differ depending on country or area.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

**Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer.
***Refer to the product manual or the Compatible Lenses Specification for additional details.

SK-6 Power Bracket$418.00

MB-40 Multi-Power Battery Pack$445.00

MS-41 3V Lithium Battery Holder for F6$29.50

CF-64 Soft Case$122.00

MV-1 Data Reader$286.00

BL-3 Battery Chamber Cover$51.00

MS-40 AA Battery Holder for MB-40$41.00

Type A Brite View Focusing Screen$45.00

Type B Brite View Focusing Screen$45.00

Type E Brite View Focusing Screen$45.00

Type J Brite View Focusing Screen$45.00

Type L Matte Focusing Screen$45.00

Type M Fine Matte Focusing Screen$45.00

Type U Brite View Focusing Screen$45.00

AN-19 Strap$19.50

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

F6 5 5 14 14

Finally replace my F4 I've been using a D2hs for awhile and my F4 had an issue that I could not justify fixing. Never liked the F5 but the F6 was great from the first time I had it in my hands. I guess I got use to the D2 interface and it allowed me to use the F6 without thinking. Love the AF speed and the metering over the older F4. I still like the look of real B&W Tri-X film and this camera works better than any other film camera I've own. I hope it out lasts me. I've now updated my digital to the D3s and the F6 for my B&W stuff is a nice combo. I'll never give up film completely. The only thing I would recommend is get the MB-40 it really need the power boost. When using a VR lens it's a must in my opinnion. May 2, 2012

Great overall film camera! I use this camera to capture all the moments on our family vacations. I'm been really impressed with everything it can do! December 15, 2011

Get it while you can Shooting a film camera today still has meaning. It’s not only worth doing but a good thing to do. Smart. What makes 35mm film special is the quality vs. portability matrix - and of course the fact that it's analog, not digital. The Nikon F6 is the superb culmination of so many years of Nikon innovation in one, jaw-dropping, drop-dead perfect 35mm film camera; a final exclamation mark by the authors of photographic exclamation. I bought my F6 new in August of 2008 just before leaving for a photo trip to Zion National Park. Really more just to have one, in case it was their last. But after reading up on it, running a few rolls of film through it and seeing the results I realized this was no camera to sit on a shelf gathering dust as a collector's item. Rather, an instrument of precision and perfection to be exercised, pushed to the limits; a weapon against the ordinary; a domineering force of photographic nature born to destroy the bell-curve of "good enough" with every release of the refined, Kevlar focal plane shutter. The Nikon F6 is the visual can-opener to life, exposing to those willing to venture its deep technical capabilities exploration of things in a way never before possible with 35mm film. Fast-shooting and nimble, the Nikon F6 was built with a strong pre-disposition to seize the moment. It's an incredibly sophisticated film camera - beyond what most people realize, employing the latest digital technologies: incredible Matrix metering, superb auto focus and electronic sophistication including advanced CLS flash capabilities, a rear LCD and programmable Custom Settings Menu built right into the camera - all in a highly refined, tight, durable, rugged yet elegant package employing Nikon’s unmatched expertise in creating something you just want to hold. The process of photography bares more examination, more attention, than it receives today. Back in the day, photography was pondered; studied; explored. What digital photography is producing is an overwhelming volume of meaningless, throw-away images shot millions of times a day, resulting in the notion of a photograph being "special" as incomprehensible. But photographs are special. They do warrant attention, study, examination and excellence in approach. The Nikon F6, like intervention from trusted friends, is the tool to ween the digital proliferator and with a fine, gloved hand, usher the discerning photographer back to appreciating the value of unique images. Hop off that relentless, speeding train of “technological progress” always apparently late for something - and take a close look at the Nikon F6. Film isn't dead, folks. It just needed a new champion to help take it to the next level. That champion is the NIkon F6. July 29, 2011

Awesome Camera This camera is great in every way. Exposure, focus, feel, all good. April 19, 2011

Super This is a fantastic camera. I'm glad that as a non-professional, deadlines and profit margins are unimportant to my photography and that I have the luxury of spending my time and money shooting film. I've shot 35mm film for over 20 years and the F6 was the first 'new' camera I had ever bought. I'm glad I did and I hope Nikon keep turning them out so that others can continue to enjoy the sublime experience of photography with an F6. April 14, 2011

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Can it photograph??

Feb 19, 2012 by

Olivia123

Chicago, IL, USA

on F6

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Take Pictures

4 months, 4 weeks ago

Olivia123

Chicago, IL, USA

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Chicago, IL, USA

Age: Under 18

Role: Just getting started with photography

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Top 10 contributor

Answer:

Yes, it is a 35mm film camera

Feb 20, 2012 by

JoeR

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Flash compatibility

Apr 20, 2012 by

Nikon Film Shooter

Maryland, USA

on F6

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Is the F6 fully iTTL compatible with the SB-910 flash and SU-800 wireless commander?

Thanks.

2 months, 3 weeks ago

Nikon Film Shooter

Maryland, USA

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Maryland, USA

Age: 35-44

Favorite Subject: Portrait

Nikon Family: 11-20 years

Role: Serious passion, hobbyist

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Staff

Answer:

Yes, the Nikon F6 is compatible with the Nikon Creative Lighting System (CLS).

Apr 24, 2012 by

NikonStaff

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

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