Learn & Explore Tip of the Day

June 19, 2013

Take plenty of pictures. With the split-second nature of sports, it is extremely hard to capture every moment perfectly. Shooting a lot will increase the odds of getting the one great photo you'll want to share. Put the camera on continuous shooting to maximize your efforts.

June 18, 2013

Keep an eye on your LCD after you take photos of people, and when you find a particularly flattering shot, show it to them. Nothing makes a person relax like knowing that the photos you’re taking make them look good.

June 17, 2013

Sitting around a campfire and roasting marshmallows? You can get some great shots in the light of a fire, but remember that if the fire’s in the picture, the camera’s meter can be fooled by the brightness of the flames. Compose and meter your exposure on your subjects’ faces to expose them properly.

June 16, 2013

Take plenty of photos during your Father’s Day celebrations. Remember to print multiple copies, so everyone can have their own photographs of dad to cherish.

June 15, 2013

Planning to take a vacation by the beach? Look for a compact digital camera that’s waterproof, such as the Nikon COOLPIX AW110, S31 or get an underwater housing for your camera. You’ll be able to take your camera under water and capture what goes on below the surface.

June 14, 2013

Use panning for a different action shot. Slow down your shutter speed and follow the subject (panning) with your camera as you take the picture. This will blur/streak the background and keeps your subject in focus. Try to shoot about 1/30 of a second as you follow the action.

June 13, 2013

When shooting groups of five or more people, make sure you stagger them. Put tall folks in the back and the shortest ones in front. It may seem simple, but blocking out just one face can ruin a group portrait. Always tell them, “If you don’t have a clear view of me, the camera can’t see you.”

June 12, 2013

Want a unique video of sports action? Use the slow-motion mode that many Nikon digital cameras offer. By shooting the action faster than normal and played back at normal speed, your subject’s movements are slowed down and look more deliberate.

June 11, 2013

When shooting bodies of water, use a polarizer filter to reduce glare. It will increase the contrast of the overall image, making colors seem deeper and more vivid.

June 10, 2013

When photographing animals of any kind—pets, birds in flight, animals at the zoo—try to zoom in as close as you can or use a longer lens to isolate the animal from its background. By getting a close-up view you have a greater chance of capturing a wonderful expression on the face of the animal, which will give you a more interesting photograph.

June 9, 2013

Spend a day taking photos using the effects modes that your camera offers. Check your camera manual to see where to find the effects available on your specific camera.

June 8, 2013

Baseball games provide a lot of angles. Get low, near first base. From there you can see most of the infield action, plus home plate. Try shooting through the backstop with a long lens as the pitcher warms up. But don’t get too close to the action. You don't want to get hurt.

June 7, 2013

Check the weather before an outdoor event. Protecting your camera and lens is critical. Consider buying a rain hood for your camera. It will protect your camera and allow you to keep shooting. If you don’t have one, use a gallon-size plastic bag or trash bag with rubber bands to protect your gear.

June 6, 2013

When composing a sports picture, leave some room for the action. For instance, if a runner is going left to right, leave more room on the right side of the frame for him/her to run into. This will make a big difference on the impact of the image.

June 5, 2013

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

June 4, 2013

Posing a bride and groom for photos is sometimes difficult. Concentrate on close shots of just the two of them, with clean backgrounds. Then create a fun group shot having them in the center, with others gathered around them. Just make sure no one gets in front of them. After all, it’s their day.

June 3, 2013

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

June 2, 2013

Try shooting panoramas if you’re at a sport stadium, beach or park, for more interesting images. Some Nikon Digital Cameras have an Easy Panorama mode or a Panorama Assist mode, which make these photos easy to capture.

June 1, 2013

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

May 31, 2013

At a gathering of friends or family take an extra camera and let everyone know they can take pictures with it. Leave it out and let anyone grab it and shoot away. Then use one of the photo sharing sites to make sure everyone can get a copy of the photos they took.

May 30, 2013

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

May 29, 2013

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

May 28, 2013

Patience is a virtue. But it’s a necessity when taking pictures of children and pets. Slow down, watch and keep shooting. A healthy dose of patience can really pay off in much better pictures.

May 27, 2013

Bring your camera when you go to your local Memorial Day Parade. You can make great pictures of your children as they get ready, as well as while they’re marching on the parade route.

May 26, 2013

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

May 25, 2013

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

May 24, 2013

Ask people to write down their e-mail address on a piece of paper and take a photo of that paper along with their photos. That way you’ll always have their e-mail address on file. Send them a copy of the photo as a thank-you for their time.

May 23, 2013

May 22, 2013

Planning to take a vacation by the beach? Look for a compact digital camera that’s waterproof, such as the Nikon COOLPIX AW100, AW110, S30, S31 or get an underwater housing for your camera. You’ll be able to take your camera under water and capture what goes on below the surface.

May 21, 2013

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

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With its high level of precision and performance, the F6 provides an extraordinarily pure, gratifying photographic film experience.

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Body Only

$2,810.00

Product Number: 1799

Authorized Dealers

Key Features

Metering System: Nikon's Advanced Exposure Metering System includes 3D Color Matrix metering with improved algorithm, a flexible Center Weighted metering and Spot metering corresponding to any of the 11 selected focus areas.

Usable Lenses: All AF-D, AF-G, AF-I, AF-S and AF VR Nikkor lenses provide full AF and metering operation. AI-P lenses provide manual focus w/electronic rangefinder and full metering operation. AI lenses provide manual focus w/electronic rangefinder, aperture priority and manual exposure mode, C/W and Spot Metering operation.

Film Advance: Four film advance modes, including Single (S), Continuous Low-Speed (CL) for up to approx. 3 fps, Continuous High-Speed (CH) for up to 5.5 fps (or 8 fps with optional Multi Power Battery Pack MB-40) and Continuous Silent (Cs) for nearly silent operation at approximately 1 fps.

Autofocus: Autofocus system inlcudes Multi-CAM 2000 Autofocus (AF) Sensor Module, with advanced high-speed, high-precision 11-area AF system with 9 cross-type AF sensors. Also includes Four AF Area Modes such as Single Area AF, Dynamic AF with Focus Tracking and Lock-On(TM), Closest Subject Priority Dynamic AF and Group Dynamic AF.

Shooting Modes: Program, Flexible Program, Shutter Priority, Aperture Priority, Manual. Also allows for exposure compensation, Auto Exposure/Flash Bracketing.

Flash: Nikon's Creative Lighting System (with SB-800/600 Speedlights) includes i-TTL Balanced Fill-Flash, Wireless Advance Lighting capability and AUTO FP High-Speed Sync capability up to 1/8000 second.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Specifications

Technical Specification

Type of Camera: Integral motor autofocus 35mm SLR (Single Lens Reflex) camera with electronically controlled focal-plane shutter.
Exposure Modes: Programmed Auto, Flexible Program, Shutter priority, Aperture Priority and Manual
Picture Format: 24mm x 36mm (standard 35mm film format)
Lens Mount: Nikon F Mount (With AF coupling, AF contacts)
Usable Lenses: All AF-D, AF-G, AF-I, AF-S and AF VR Nikkor lenses provide full AF and metering operation. AI-P lenses provide manual focus w/electronic rangefinder and full metering operation. AI lenses provide manual focus w/electronic rangefinder, aperture priority and manual exposure mode, C/W and Spot Metering operation.
Viewfinder: Fixed eyelevel pentaprism, built-in diopter adjustment (-2 to +1m-1)
Eyepoint: 18mm (at -10m-1)
Focusing Screen: B Type BriteView clear screen Matte II, interchangeable with six other optional focusing screens
Autofocus: TTL phase detection, Nikon Multi-CAM 2000 autofocus module
AF Detection Range: Approx. EV -1 to EV +19 (at ISO 100)
AF Area Mode: Single Area AF, Dynamic AF, Group Dynamic AF or Dynamic AF with Closest Subject Priority
Metering System: Three built-in exposure meters; 1005 Pixel RGB 3D Color Matrix II, Flexible Center Weighted and Eleven Spot meters
Metering Range: (at ISO 100 with f/1.4 lens) EV 0 to EV 20 in 3D Color Matrix II and Center-Weighted, EV 2 to EV 20 in Spot
Exposure Compensation: With exposure compensation button; + 5 EV range, in 1/3, 1/2 or 1 EV steps
Auto Exposure Bracketing: Built-in; Number of shots; 2-7 compensation steps 1/3, 1/2, 2/3 or 1 EV steps
Auto Exposure Lock: By pressing AE-L/AF-L Button
Film Speed Setting: ISO 25 to 5000 for DX-coded film; ISO 6 to 6400 can be manually set
Shutter: Electromagnetically controlled vertical-travel focal-plane shutter with built-in shutter monitor
Flash Synchronization: In Programmed Auto or Aperture-Priority Auto, shutter operates from 1/250 to 1/60 sec. in normal sync. 1/250 to 30 sec. In slow sync; in Shutter-Priority Auto or Manual exposure mode, shutter operates at speed set, or at 1/250 if speed is set between 1/250 and 1/8000 sec. Auto FP High Speed Sync with Custom Setting in all modes to 1/8000sec.
Flash Control: TTL flash control by combined Five Segment TTL Multi-Sensor with single component IC and 1,005 Pixel RGB sensor; i-TTL Balanced Fill-Flash with SB-600/800; film speed range in TTL auto flash: ISO 25-1000
Ready Light: Speedlight attached, lights up in red when Nikon dedicated Speedlight is ready to fire, or blinks to warn of insufficient light for correct exposure
Accessory Shoe: ISO518 hot shoe contact, digital data communication (sync contact, ready light contact, TTL Auto flash contact, monitor contact, GND) safety lock provided
Self Timer: Electronically controlled; 10 second duration; blinking LED indicates self-timer operation; cancelable
Film Loading: Film automatically advances to first frame when camera back is closed
Film Advance: Automatic advance with built-in motor, three modes available (S: for one frame advance, CL: Continuous low speed shooting, CH: Continuous high-speed shooting, CS: Continuous silent low-speed shooting)
Film Rewind: Choice of automatic or manual; automatically rewinds at the end of the roll or when two film rewind buttons are pressed, rewind speed with 36 exp, roll of film Approx. 7 seconds (12 seconds in CS Mode)
Multiple Exposure: Activated via shooting menu
Power Source: Battery Holder MS-41 provided (two 3V Lithium batteries) Optional Multi Power Battery Pack MB-40 and AA type battery holder MS-40 available (for eight alkaline manganese, lithium or NiMH batteries or one rechargeable Li-ion Battery EN-EL4); built-in battery back up
Weight (without batteries): Approx. 34.4 oz
Dimensions (WxHxD): 6.2 x 4.7 x 3.1 inches

Supplied Accessories

Type-B focusing screen
MS-41 Battery Holder (requires two DL123A 3V Lithium Batteries not provided)
BF-1a Body Cap
Accessory Flash Shoe Cover

*Supplied accessories may differ depending on country or area.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

**Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer.
***Refer to the product manual or the Compatible Lenses Specification for additional details.

SK-6 Power Bracket$418.00

MB-40 Multi-Power Battery Pack$445.00

MS-41 3V Lithium Battery Holder for F6$29.50

CF-64 Soft Case$122.00

MV-1 Data Reader$286.00

BL-3 Battery Chamber Cover$51.00

MS-40 AA Battery Holder for MB-40$41.00

Type A Brite View Focusing Screen$45.00

Type B Brite View Focusing Screen$45.00

Type E Brite View Focusing Screen$45.00

Type J Brite View Focusing Screen$45.00

Type L Matte Focusing Screen$45.00

Type M Fine Matte Focusing Screen$45.00

Type U Brite View Focusing Screen$45.00

AN-19 Strap$19.50

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

F6 5 5 14 14

I love digital capabilities but... I hope the superb F6 is not the last film camera. I travel a lot, and there have been environmental factors (for example extreme cold and humidity) when analog media have been invaluable. There are also images that cannot be replaced so the archival value of film is still unsurpassed and can be viewed like paintings, without any ever-changing devices. There is also the 'feel' which cinematographers will tell you about. I used the unsurpassed but larger F5. The F6 is smaller. My only wish is that the classic F-F5 interchangeable finder had been retained on the F6 as you can't flip out a viewing screen to view from overhead or ants view on a film camera. The D/C'd super compact FM3a which has complete battery-less mechanical ops is my other film camera. Unfortunately the f/ rings have been removed from G lenses limiting it's and all other F's use. In spite of this lapse in Nikon non-obsolescence, these cameras just aren't available with other brands, making Nikon unique. March 9, 2011

the best 35mm film camera Nikon F6 is the world's best 35 mm film camera. I don't know if there will be any F7 or not but as of this date there's no film camera in the market that can provide such an accurate metering under extremely contrasty lighting, compatibility with the older lenses, iTTL compatibility with the nikon CLS..the list can go on and on. The point is you get all this in a very ergonomic, weather proofed package that can still justify shooting film in this day and age. February 26, 2011

BEST EVER CAMERA YOU CAN FIND!!!! Nikon F6 is the best camera I've ever used, probably the best one ever made in human history! I've used many flagship class cameras including both film and digital, but no one can bear comparison with Nikon F6! Focus speed, Metering, ergonomics, even shutter sound, everything is just incredibly perfect! If there could be only one camera in your life, choose Nikon F6, and you wont regret for it! February 22, 2011

Film Camera +++ This camera is my favorite - and film offers much better resolution than digital. I also have several D3 cameras which I also use. December 4, 2010

It simply works all the time I've been a Nikon user since high school and had all the great film cameras during my career. Even with digital taking the forefront of commercial work, film is still in demand. I thought my F5 rocked, well I was not prepared for the F6 experience at all. Superb in all aspects, it took all the great things I loved about the F5 and enhanced them to a new level. I still use film for a lot of assignments and use a D3 digital for assignments that need delivery at the end of the day or by 9AM the next day. Any weather, anytime, anywhere . . . if you need a film camera that won't fail you, the F6 is for you. Oh and for studio work . . . The F6 is fully compatible with the Nikon CLS system. Just check out the lighting from this picture, if you thought you could never achieve these kinds of results using film, think again. November 10, 2010

The World's absolute best 35mm film camera The very best 35mm camera I have ever used ! Excellent performance with new flash systems that are wireless. It's like having a film version of a Nikon D3. July 30, 2010

Best of the best A true professional camera featuring everything what a pro or serius hobby photographers can ask. Fast, solid, quiet, well sealed, and ergonomically well designed. I use this camera more than 4 years now. As a wildlife photographer, I love the manual film rewind feature, because that is the most quitest film rewind method as possible. But if it's need it can rewind the film with motor very fast just in a short few second. The rear LCD panel also very usefull for wildlife photographers, it takes less movement to chek the setups or set costum functions. It has easy to set logical costum functions. Easy to learn to use the camera even without instruction manual. This camera is a true masterpiece. July 28, 2010

its a qreat camm . Its a maqnificent camera . It has so many different anqles that can be brought to life . I am an exclusive photoqrapherr . and trust mee . its the best / July 14, 2010

A great 'must-have'. I got the F in 1965, then the F2, the lovely F3 (my daughter, the designer, displays it in her Berlin apartment), the F4 which recorded two years in beautiful, steamy Columbo, then the F5 and finally into digital with the D2x. When the F6 arrived I considered it to be like vinyl, not often used, but the best of analogue and a great investment. After a wedding shoot where half the best pictures came from the F6, I knew the decision had been more than nostalgic. June 27, 2012

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Can it photograph??

Feb 19, 2012 by

Olivia123

Chicago, IL, USA

on F6

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Take Pictures

4 months, 4 weeks ago

Olivia123

Chicago, IL, USA

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Chicago, IL, USA

Age: Under 18

Role: Just getting started with photography

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Top 10 contributor

Answer:

Yes, it is a 35mm film camera

Feb 20, 2012 by

JoeR

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Flash compatibility

Apr 20, 2012 by

Nikon Film Shooter

Maryland, USA

on F6

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Is the F6 fully iTTL compatible with the SB-910 flash and SU-800 wireless commander?

Thanks.

2 months, 3 weeks ago

Nikon Film Shooter

Maryland, USA

Location :

Maryland, USA

Age: 35-44

Favorite Subject: Portrait

Nikon Family: 11-20 years

Role: Serious passion, hobbyist

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Staff

Answer:

Yes, the Nikon F6 is compatible with the Nikon Creative Lighting System (CLS).

Apr 24, 2012 by

NikonStaff

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

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