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An optical masterpiece: the ultimate ultra-wide-angle zoom.

With a fast fixed maximum aperture of f/2.8, the award-winning AF-S NIKKOR 14–24mm f/2.8G ED delivers truly superlative performance in any situation. Nikon’s exclusive lens technologies and innovations in optical design deliver outstanding sharpness, color and contrast, even in backlit conditions. Tough, reliable, simply exceptional—this is essential glass for serious photographers who demand the best photos and HD videos.
Silent Wave Motor
Nano Crystal Coat
ED (Extra-Low Dispersion) Glass
AS
M/A
IF Lens

Unrivaled performance

A lens in a class of its own

The fast, ultra-wide-angle AF-S Zoom-NIKKOR 14–24mm f/2.8G ED is optimized for edge-to-edge sharpness on both FX- and DX-format Nikon D-SLR cameras. It combines the latest Nikon lens technologies, innovations in optical design and the rich heritage of NIKKOR glass to deliver truly superlative performance in any situation.

Engineered for pros

Advanced, durable and reliable

The AF-S Zoom NIKKOR 14–24mm f/2.8G ED’s rugged construction and professional-grade dust and moisture resistance withstand even the most trying conditions. Nikon’s exclusive Silent Wave Motor (SWM) and Internal Focusing (IF) technologies enable ultra high-speed autofocusing with exceptional accuracy and powerful, super-quiet operation. Nano Crystal Coat (N) minimizes ghosting and flare, and Aspherical Lens Elements (AS) virtually eliminates coma and other types of aberration—even when used at the largest apertures. The AF-S Zoom NIKKOR 14–24mm f/2.8G ED draws the highest level of performance from advanced D-SLR cameras.
Silent Wave Motor
Silent Wave Motor
AF-S NIKKOR lenses feature Nikon’s Silent Wave Motor (SWM), which represents a significant advance in AF lens technology. SWM uses ultrasonic vibrations—rather than a gear system—to focus the lens, providing incredibly smooth, silent and precise autofocus operation.
Nano Crystal Coat
Nano Crystal Coat
An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths. Nano Crystal Coat solves ghost effects caused by red light and effectively reduces ghost and flare caused by light entering the lens diagonally.
ED (Extra-Low Dispersion) Glass
ED (Extra-Low Dispersion) Glass
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.
AS
AS
AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.
M/A
M/A
Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.
IF Lens
IF Lens
A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.
AF-S NIKKOR 14-24mm f/2.8G ED 4.9 5 112 112
My "Drama" lens I've been using this lens on a working basis for a couple of years, and it's quickly become the favorite lens in my bag. On a full-frame (FX) body, you can't beat the kinds of angles you can get for dramatic effect (see samples). The edge-to-edge sharpness is better than any other lens I use, and that says a lot because it's all Nikkor glass. When zoomed all the way out to 14mm, you're going to get some distortion, but that's to be expected at that angle of view. That's what gives you that dramatic perspective - use it to your advantage. This lens inspires a special kind of shooting. Practice with it to develop a style that normal lenses just don't get. May 29, 2014
Really Sharp Lens The first time out of the box I took a few sample shots and was sold. This lens produces extremely sharp images. You have to be aware of your horizon or you will get major distortion, but then again you may want that. It is heavy, lots of glass to produce the sharp image. As for a wide angle lens, this beats them all, get close to your subject and you will get very satisfying results. I have read some reviews about the lack of filter mounting capabilities, the colors are bright and vivid, just know your set up, and avoid having the light source at a 90 degree as it will make you metering difficult if in matrix. This lens is well worth the money if you plan on making large prints. April 10, 2014
Used the 14-24 with D800 and built in Flash While I am very happy with the quality of the pictures with this lens. A few days ago wanted to shoot a frame with this wide lens in a windy area, as I did not want to change lenses in that dusty atmosphere decided to proceed with the 14-24 wide and had to use the built-in flash to fill in a face. It was strange to see the barrel of the lens cast a shadow in the picture, January 27, 2014
Soft images at F2.8-F5.6 I purchased my 14-24mm approximately a year ago. Used 2-3x only. Recently came back from Yosemite NP where I had to switch to my 24-70mm F2.8. The images I got with the 14-24mm were unusable at all mm ranges when using F2.8-5.6. The images became usable only when stopped down to F8 or higher. I was using a tripod and ballhead with cable release. Have contacted Nikon to get their thoughts. January 19, 2014
A Dream Come True It is a lens whose sharp images and full coverage without deterioration from edge to edge are without parallel in my experience. This is undoubtedly the best lens of any kind I have used or purchased. To see its full capability, use a weighted, stable tripod, Nikon Camera Control Pro 2 software, low ISO in a naturally lit room at dusk or later, with a timed exposure at f/2.8 on a camera like my D800. Then explore the result for hours at up to 200% magnification. You will not be disappointed. But, note that to get full performance, a carefully leveled camera held steady at fast shutter speed or on a stable tripod when that is impractical is needed. November 15, 2013
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AF-S NIKKOR 14-24mm f/2.8G ED
 
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Can a damaged lense hood on the AF-S Nikkor 14-24mm be replaced?

Dec 29, 2013 by
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Johnny
Melbourne VIC, Australia
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dropped camera lens hood took full force and large section broke off, the lens is not damaged.
7 months ago
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Johnny
Melbourne VIC, Australia
Location : 
Melbourne VIC, Australia
Age: 45-54
Favorite Subject: Portrait
Nikon Family: 21+ years
Experience: 6-12 months
Role: Professional photographer
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Answer: 
Yes, here is the link for repairs
http://www.nikonusa.com/en/Service-And-Support/Service-And-Repair.page
Dec 29, 2013 by
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JoeR
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AF-S NIKKOR 14-24mm f/2.8G ED
 
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Is the 14-24mm comparable with the 5300?

Mar 7, 2014 by
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5 months, 3 weeks ago
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Anonymous
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Answer: 
Yes it is.
Mar 7, 2014 by
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KeithD
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AF-S NIKKOR 14-24mm f/2.8G ED
 
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Do refurbished lenses come with a warranty?

Jun 19, 2014 by
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Do refurbished lenses come with a warranty? Also what exactly does refurbished mean?
2 months, 1 week ago
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Answer: 
Refurbished lenses are protected by a 90-day limited warranty.
Jun 19, 2014 by
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Nikon_Chelsea
New York
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AF-S NIKKOR 14-24mm f/2.8G ED
 
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I want to know if I can use this lens to take photos to the stars or heavens

Jul 30, 2014 by
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Guido Muniz
Peru
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i read in many blogs about the tech specs in technical aspects of night photography, stars, moon etc.. Can you give me some technical reference for using this lens?
4 weeks, 2 days ago
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Guido Muniz
Peru
Location : 
Peru
Age: 35-44
Favorite Subject: Landscape
Nikon Family: 2-5 years
Experience: More than a year
Role: Serious passion, hobbyist
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Answer: 
With a fast fixed maximum aperture of f/2.8, the award-winning AF-S NIKKOR 14–24mm f/2.8G ED delivers truly superlative performance in any situation. Nikon’s exclusive lens technologies and innovations in optical design deliver outstanding sharpness, color and contrast, even in backlit conditions. Nano Crystal Coat (N) minimizes ghosting and flare, and Aspherical Lens Elements (AS) virtually eliminates coma and other types of aberration—even when used at the largest apertures. To photograph the stars in the sky as pinpoints of light, start with as wide an f/stop as your lens allows, and shutter speed of about 20 seconds. Any more time than that and the stars will begin to blur. Increase the ISO as needed for a good exposure. A good starting exposure for most star shots is to use the widest aperture on your lens, expose for 20 seconds, increasing the ISO as needed for a good exposure. For more tips on shooting Night photography and sample images of photographers using the AF-S NIKKOR 14–24mm f/2.8G ED please see: http://www.nikonusa.com/en/Learn-An...

For sample images and more information on this lens, please see the product page of the AF-S NIKKOR 14-24mm f/2.8G ED.
 
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Aug 6, 2014 by
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Nikon_Chelsea
New York
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AF-S NIKKOR 14-24mm f/2.8G ED
 
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ND Filters not compatable w/Lens...Any Options?

Mar 27, 2014 by
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Pam
Vermont, USA
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Lee ND slide-in filters and filter holder do not work on this lens (or any other filter). I'm disappointed to realize this as ND filters are as much a must for landscape photography as are wide-angle lenses.

Is there any way around this?
5 months ago
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Pam
Vermont, USA
Location : 
Vermont, USA
Age: 45-54
Favorite Subject: Landscape
Nikon Family: 2-5 years
Role: Serious passion, hobbyist
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Answer: 
The Lee SW150 is the only filter system that fits the 14-24, there are no other options.
Mar 27, 2014 by
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KeithD
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AF-S NIKKOR 14-24mm f/2.8G ED
 
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What effect does this lens produce on a DX Body?

Aug 6, 2014 by
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PhotoGuy6781
Long Island, NY
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I assume on a D7100, the 14-24mm will seem like a 21-36mm but is there any distortion, or ill effects that require repairing in post processing? Is there any warnings that I should be aware of? Thank You
3 weeks, 2 days ago
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PhotoGuy6781
Long Island, NY
Location : 
Long Island, NY
Age: 45-54
Favorite Subject: Nature
Nikon Family: 21+ years
Role: Serious passion, hobbyist
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