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4.7 Rating
High Speed Sync: A Flash Technique To Add a Pro Touch to Your Photographs

Kevin Kubota on auto FP high speed sync flash…

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3.9 Rating
Landscape and Travel Photography

Ideal for those who want to take their travel & landscape photography to the next level

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4.9 Rating
Corey Rich

Adventure photographer Corey Rich is a Nikon Ambassador. Learn more about his photography and multimedia work.

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4.6 Rating
Using the Highlight-Weighted Metering Mode

When to use the D810 and D750's highlight-weighted metering

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4.2 Rating
Vibration Reduction

Vibration Reduction (VR) is an image stabilization technology that minimizes blur caused by camera…

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4.2 Rating
What Your Favorite Films Can Teach You About Making Films

Steve Heiner creates a short D-movie based on blockbusters that…

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4.4 Rating
How to Photograph a Lunar Eclipse

Learn the techniques needed to shoot lunar eclipses from Mr. Eclipse, Fred Espenak

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4.3 Rating
Zoom Lens Maximum Aperture: Fixed and Variable Apertures

Zoom lenses can have either a fixed maximum aperture or a…

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4.3 Rating
Andrew Hancock

Sports photographer Andrew Hancock is a Nikon Ambassador. Learn more about his photography.

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3.9 Rating
Top Tips for Capturing Time Lapse with a DSLR

Tips for creating Time Lapse videos

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4.2 Rating
Moviemaking 101 – 6 Tips On How To Make A Video

Six helpful tips when making movies your camera

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3.4 Rating
How to Film Using Autofocus, Rack Focus and Manual Focus Techniques

Focusing tips for HDSLR video shooting

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Online Exclusive: Slow Motion

Whether we're making our movie clips with a COOLPIX, a Nikon D-SLR or one of the Nikon 1 advanced cameras with interchangeable lenses, we've got a lot of creative choices at our command, choices that will affect how our movies look. One of those choices is slow motion, which is the topic of Steve Heiner's Moving Pictures column in the fall issue of Nikon World and the subject of the accompanying video that offers excerpts from several slo-mo clips shot by Steve with COOLPIX and Nikon 1 cameras.

Movies move because they're essentially a series of still images, a sequence of frames going by in rapid succession, and the key to slow motion is the speed at which we shoot and play back our footage. We normally shoot at 30 frames per second for our traditional movie clips, but when we shoot at higher speeds—say, 120, 140 or, with the Nikon 1 cameras, 400 or 1200 fps—and then play back at the standard 30 fps speed, we've got a slow motion movie or sequence.  

As a technique, slow motion is a sure-fire attention-getter for its ability to reveal what happens too quickly for us to completely observe. As Steve points out in his column, what we're seeing in slow-motion footage "is all the detail, all the extra information, that normally goes by too fast" for our eyes to catch.

The really cool part of slo-mo is that it's applicable to just about anything in motion—from the obvious (a hummingbird at the feeder) to the curious (the secret life of Jell-O).

To see what you're missing—and what slo-mo reveals—just click on the video clip.

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